Blue and His Radio” had audiences laughing the most. The Lilypad Puppet Theatre, a non-profit theatre based out of Ithaca, NY, had a couple performances during the slam but “Mr. When art makes me feel something strongly, I think that’s the best.” “ all the other ones made me feel happy and joyful, this one was a nice change of pace for me. “I really liked ‘Calle Allende’ because it was really dark and actually evokes emotion in me,” Eben Prostak, a ninth-semester chemical engineering major, said. The performance was inspired by an excerpt from Frida Kahlo’s diary and a later painting of hers, “The Two Fridas.” Her other performance, “Calle Allende,” happened later on in the show and was an excerpt from a larger show that explored themes of grief and sorrow. ![]() To continue the unexpected use of puppets, UConn alumna Anatar Marmol-Gagne presented “You Don’t Know Me.” Although the performance was more burlesque at first as she danced on a chair and teased the audience, it quickly shifted to comedy when she turned around and revealed a doll that hung from her neck and whose arms were linked to her hands. Marmol-Gagne continued to strip the doll in a coy fashion, garnering cheers from the audience. As Izadi continued to make scrambled eggs, the audience cracked up. At first it was romantic but quickly turned comedic when Izadi threw one of the eggs on the floor, scooped up its remains and cracked the other egg into a bowl. ![]() This was obvious with the first performance, entitled “The Eggs” by graduate student Neda Izadi, where Izadi drew faces on eggs and told a love story through a pair of eggs. When attending a puppet slam, one of the things the audience learns quickly is that anything can be a puppet. The event featured myriad performances from students, graduates and local puppeteers. The Ballard Institute and Museum of Puppetry and the UConn Puppet Arts Program continued its semester tradition, presenting the 2019 UConn Fall Puppet Slam on Friday at von der Mehden recital hall. The event featured an array of performances and showed that anything can be considered a puppet. The city thereafter concluded an agreement to partner with the city of Charleville-Mézières in France.UConn students, graduates and local puppeteers perform at the 2019 UConn Fall Puppet Slam. In 1986, Iida held the UNIMA Festival (Asia) and, in 1988, was one of the three Japanese sites of the 15th UNIMA World Puppetry Festival. The 1,200-seat house was supplemented by a 200-seat puppet theatre in 1987.Ī puppet museum founded by Takeda Sennosuke – Takeda Sennosuke Kinen-Kokusai-Itoayatsuri-Ningyokan (Iida-City Kawamoto Kihachiro Puppet Museum) – includes a small puppet theatre where the master performs for child audiences. It takes place each August for four days with performances throughout the whole town. It soon became an international event called IIDA Ningyōgeki Fesuta (Iida Puppet Festa). The modern Iida Puppetry Carnival was created in l979 to celebrate the “Year of the Child”. The annual Iida puppet festival – IIDA Ningyōgeki Kanibaru (IIDA Puppetry Carnival) – the largest event of its kind in Japan attracts international as well as national troupes. Since the 1980s, Iida has hosted major events celebrating puppetry. However, increased attention has also been given to modern puppetry over the years. Since 1999, the Kuroda Puppet Troupe has performed in a newly built house dedicated to promoting the traditional art. The Kuroda Puppet Theatre, built in 1840 on the grounds of the Suwa Shrine, has been declared an intangible cultural property. Two temples have long held puppet performances with traditional stories, one in April for the Spring Festival (the Kuroda puppets), the other in October (the Imada puppets). ![]() A small Japanese town, between Nagano and Nagoya, on the island of Honshu, Iida was the “city of traditional theatre”.
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